We could say it's both an homage to the end of the analog negative and also an exploration of the nature of colour that medium allows
Predominantly self-taught
Many of those people the photographer encounters feel strangled by poverty and preconception
Kitchen Table Series seeks to reposition and reimagine the possibility of women and the possibility of people of color
First edition of Traces of War: Survivors of the Burma and Sumatra Railways by Jan Banning
The End of the Party, Highgate, London, 1955 Jay mcinerney We could say it's bothGelatin Silver print by Thurston Hopkins (1913 2014), titled The End of the Party, Highgate, London, 1955 Presented in a custom mount. Specifications of The End of the Party, Highgate, London, 1955 Silver Gelatin Print Print size: 30. 5 x 40. 5cm (12" x 16") Image size: 22. 7 x 35. 5cm (9" x 14") Mount size: 40. 5 x 50. 5 cm (16 " x 20") Signed, titled and dated in pencil with artist's credit stamp on verso Printed later UNFRAMED *For framing queries